By Murray Engleheart, Arnaud Durieux
After greater than 3 many years and one hundred fifty million albums, AC/DC has tested itself as even more than simply a superb rock band. For thousands of fanatics spanning a number of generations the world over, they're an ear-bleedingly loud, sweat-soaked faith.
Now, in a booklet of mind-blowing breadth and scope, comes the total tale of AC/DC. every thing you ever desired to understand and many extra you by no means dreamt of is all right here, the last word balls-out experience, laced with intercourse, drunken escapades, and brawls—topped off with infrequent intimate photographs to create the last word portrait of the last word rock band.
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Extra resources for AC/DC: Maximum Rock & Roll: The Ultimate Story of the World's Greatest Rock-and-Roll Band
And two little guys fucking blowing people away, you know. Malcolm would just go for it, then Angus, then Malcolm would go for it again, and they’d be both playing at the same time. ’ There were the unusual gigs, like the time the band were asked to play at the Greek wedding of the cousin of a friend of Dave Evans in Sydney. Everything was steaming along until the not entirely unexpected request for a version of Zorba The Greek. After some initial horrified looks from the stage, Malcolm came to the rescue.
Humphreys also couldn’t fathom how Angus got the sound he did with his Fi Sonic amp. Kim Humphreys: ‘I used to have one and I said, “Shit! How does this guy get a sound like that? ” He just made it sound unbelievable, little bastard. ‘He was probably more flashy then than he is now, because of the sort of things he was listening to. He really liked Jeff Beck and he 39 also liked Paul Kossoff from Free. [Mountain’s] Leslie West was one of his favourite guitar players. ‘I’ve still got a really early Guitar Player magazine that Angus loaned me that’s got Leslie West on the cover — I never gave it back to him.
A number of songs were recorded, including Can I Sit Next To You, Girl and Rockin’ In The Parlour, along with Sunset Strip (later known as Show Business), Soul Stripper, and an early version of Rock ’N’ Roll Singer which was firmly earmarked for the band’s debut album. 54 For Harry Vanda, the sessions highlighted a clear divide between what Malcolm and Angus were doing and Evans’ position within that plan. Harry Vanda: ‘I think the guys were still looking for their identity then and all that. I think Dave always leant a bit more towards the glittery part of rock, which is fair enough if that’s what you want to do.